In 1867 in,
what was to most of the rest of the country, the remote Midwestern town
of Fort Madison, Iowa,
Walter
A. Sheaffer was born to a local jeweller and his wife. Young Walter
learned the jewellery craft and trade himself, and around the turn of
the century assumed ownership and control of the shop on Avenue G, where
today, in the same space, the retail business, Pendemonium,
can be found. Across the street, at number 805, one can visit the Dana
Bushong jewelry shop which, under the current ownership of Skip
and Michele Young, still proudly displays the display cabinets and other
fixtures which Sheaffer sold to Bushong when he left the retail business
in the mid 1910s.
Tradition has it that in 1907, after close study of some advertisements
for a new fountain pen filling mechanism, a “self-filler,”
known today as the Crescent Filler, Sheaffer began experiments
to craft his own design. What he devised was a system integrating
a rubber sac that, when depressed, by the proximal short end of a
lever, as the long distal end is lifted, and then released, would
fill with ink. Within a year, what would soon and thereafter be known
as the “Lever-Filler,” had been patented. Four years later,
in 1912, with the assistance of two former employees of the company
whose self-filler had inspired his inventive adventure, he invested
his life savings, putting together the organisational skeleton of
what would be the W. A. Sheaffer Company. On January 1, 1913,
with an initial investment of $35,000, and a total of seven employees,
Sheaffer incorporated, setting up his first "factory" in
the converted space of what had been, first his father's, and then
his own jewellery store.
Often characterised as a period of dramatic and continuous legal
strife, the early years of the mom-and-pop-sized W. A. Sheaffer Company
were indeed fraught with somewhat ruthless litigation, and other related
difficulties that could have served as good fodder for fairly respectable
cloak-and-dagger yarns. Sheaffer himself had to frequently defend
his patents from attack by other pen manufacturers, some quite a bit
older and larger. In fact, there is more than one story actually involving
private detectives, Sheaffer being “tailed” or “shadowed,”
in and out of New York subway trains and the like. At one point, one
of his founding partners, George Kraker, who had formerly “jumped
ship” from a competitor to join him, likewise left Sheaffer,
and started making pens under his own name in Kansas City, modeled
after those of his latest former business associate. Though
courtroom decisions ended that patent-stealing enterprise, it is illustrative
of the rather cutthroat environment within the emerging fountain pen
business of the era.
History establishes that Sheaffer’s lever-filler system was
certainly, sooner or later, adopted by all pen companies, and that
speaks for itself. Whether or not that particular filling method was
superior to all others was essentially immaterial; consumers liked,
wanted, and bought it. Accordingly, once patent
rights had been firmly established, and production methods refined
and expanded, W. A. Sheaffer Company experienced nothing short of
phenomenal growth. A partial list of pen-model-release, and materials-
and ink-introduction dates demonstrates a dynamic agenda of design
and production:
1920 - Lifetime Pen
1922 - Skrip Ink
1922 - Radite caps and barrels
1924 - White Dot
1930 - Balance Pen
1931 - Feather Touch Nib
1934 - W.A.S.P.
1935 - Vac-Fil filling system
1936 - Transparent ink view section
1942 - Triumph conical shaped nib
1946 - Stratowriter Ballpoint
1948 - Injection molded plastic caps and barrels
1949 - Touchdown filling system
1952 - Snorkel filling system
1955 - Cartridge filling fountain pens
1959 – PFM
Subsequent years were too rich with collections design changes to
fully recount in a brief history. The nineties brought a somewhat
slower pace of introduction, but never did Sheaffer quality diminish,
and true pen fanciers, and lovers of the written word still know that
a finer pen cannot be purchased.
The Crest model was issued in 1991; its design recalled pens of the
1950s, with a gold Triumph point, and a cartridge/converter filler
choice. From 1995 to 1998, Sheaffer offered the Triumph Imperial,
a revival of the old Imperial model, offered as a small step up from
Sheaffer's workaday pens and high-line models like the Crest. The
Legacy model (revived yet again in the Legacy
Heritage) was a reissue (at least in basic shape) of the
PFM (Pens For Men); it was a cartridge filler, but, with
the addition of a special converter, could use bottled ink as well.
In 1997, Sheaffer was acquired by BIC, the giant French manufacturer
of disposable pens, razors, and other throw-away-type products. Pen
fanciers may have had good reason to fear the takeover, since once
before BIC bought a U.S. pen maker (Waterman USA), and closed
it down almost immediately. However, for some reason BIC apparently
had a different view of Sheaffer, and decided to preserve it as their
luxury marquee.
Today, Sheaffer collections remain true to the paramount heritage
of quality—quality of materials and workmanship—and simplicity.
The true scrivener, one who not only writes because of need, but for
pure pleasure, and a deep appreciation for the aesthetics of fine
paper, and a chirographic technology that has not been—and likely
cannot be—bettered by anything silicon or virtual. Regular collections
and limited editions all reflect the jeweller’s meticulous attention
to detail of design, and exactitude of execution. Representative are
the following:
Valor
Legacy Heritage
Prelude
Stars
Of Egypt Limited Edition